Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 159
... the complex ' pattern of the glory ' in the everyday world ; in the fantasies of C. S. Lewis we are invited to delight in the invented worlds of his Mars , Venus or Narnia as expressions of divine creative power , all playing their ...
... the complex ' pattern of the glory ' in the everyday world ; in the fantasies of C. S. Lewis we are invited to delight in the invented worlds of his Mars , Venus or Narnia as expressions of divine creative power , all playing their ...
Page 224
Not only are Williams ' novels filled with characters or incidental events which can take other and ' larger ' being ; they are also sequences of pattern and rule : thus story and ' history ' are made significant ( as Williams made a ...
Not only are Williams ' novels filled with characters or incidental events which can take other and ' larger ' being ; they are also sequences of pattern and rule : thus story and ' history ' are made significant ( as Williams made a ...
Page 234
Among the themes explored is the relation of poetry to culture and order , and the extent to which its sympathies , structures and exchanges may be said to mirror the pattern of divine glory : this is why Williams has the spiritually ...
Among the themes explored is the relation of poetry to culture and order , and the extent to which its sympathies , structures and exchanges may be said to mirror the pattern of divine glory : this is why Williams has the spiritually ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers