Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 106
Thus he at once gives and refuses us a determinate view of heaven ; and also makes heaven grow and the world diminish , a proper placing of significance . For us here the main point is Milton's interest in ' the outside ' , where half ...
Thus he at once gives and refuses us a determinate view of heaven ; and also makes heaven grow and the world diminish , a proper placing of significance . For us here the main point is Milton's interest in ' the outside ' , where half ...
Page 147
The opening poem of this work is aggressively dialectical and cyclic , beginning and ending , ' Rintrah roars & shakes his fires in the burden'd air ; / Hungry clouds swag on the deep ' . It tells of a meek and just man who once kept ...
The opening poem of this work is aggressively dialectical and cyclic , beginning and ending , ' Rintrah roars & shakes his fires in the burden'd air ; / Hungry clouds swag on the deep ' . It tells of a meek and just man who once kept ...
Page 224
In The Place of the Lion Anthony Durrant is transfigured at the end to Adam , so that he may enter Eden once more to name the beasts , and in naming them make the world safe once more from the dangerous incursions of the untamed ...
In The Place of the Lion Anthony Durrant is transfigured at the end to Adam , so that he may enter Eden once more to name the beasts , and in naming them make the world safe once more from the dangerous incursions of the untamed ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
17 other sections not shown
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers