Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 57
The poet does not need to follow a narrative sequence , and he may thus remove from the reader the kind of narrative excitement which might otherwise blind him to the spiritual dimension of the work . Thus we do not find much suspense ...
The poet does not need to follow a narrative sequence , and he may thus remove from the reader the kind of narrative excitement which might otherwise blind him to the spiritual dimension of the work . Thus we do not find much suspense ...
Page 127
This established , other aspects of the narrative begin to fall into place . The several digressions in which theological and moral matters are discussed , as while Christian is at Interpreter's House , or walking with By - ends and ...
This established , other aspects of the narrative begin to fall into place . The several digressions in which theological and moral matters are discussed , as while Christian is at Interpreter's House , or walking with By - ends and ...
Page 308
But in the Commedia Dante's attitude to the Aeneid is markedly different from that of his nearest predecessor in this field , Bernardus Silvestris , who , while praising the poem for its narrative , sees that narrative only as ...
But in the Commedia Dante's attitude to the Aeneid is markedly different from that of his nearest predecessor in this field , Bernardus Silvestris , who , while praising the poem for its narrative , sees that narrative only as ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers