Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 63
He meets Lucifera in the form that he does because his mind is full of bright and evil shapes through his worldliness . At this level , this is all his imagination can perceive : it is only when his spirit has been healed in the House ...
He meets Lucifera in the form that he does because his mind is full of bright and evil shapes through his worldliness . At this level , this is all his imagination can perceive : it is only when his spirit has been healed in the House ...
Page 169
The true fairytale is , to my mind , very like the sonata . We all know that a sonata means something ; and where there is the faculty of talking with suitable vagueness , and choosing metaphor sufficiently loose , mind may approach ...
The true fairytale is , to my mind , very like the sonata . We all know that a sonata means something ; and where there is the faculty of talking with suitable vagueness , and choosing metaphor sufficiently loose , mind may approach ...
Page 242
The imagined realms of Phantastes and Lilith may be ' untrue ' by themselves , but they are also pictures of the unconscious mind which we are all encouraged to enter . The actual created worlds of Charles Williams ' The Place of the ...
The imagined realms of Phantastes and Lilith may be ' untrue ' by themselves , but they are also pictures of the unconscious mind which we are all encouraged to enter . The actual created worlds of Charles Williams ' The Place of the ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
17 other sections not shown
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers