Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 120
It is a paradox that Bunyan should have increased the imagin- ative power of his work over its significance precisely by the means that he might have expected to restrict the licence of the imagin- ation . Puritan thinkers before him ...
It is a paradox that Bunyan should have increased the imagin- ative power of his work over its significance precisely by the means that he might have expected to restrict the licence of the imagin- ation . Puritan thinkers before him ...
Page 169
His artistic analogies are drawn from music : ' A genuine work of art must mean many things ; the truer its art , the more ... We all know that a sonata means something ; and where there is the faculty of talking with suitable vagueness ...
His artistic analogies are drawn from music : ' A genuine work of art must mean many things ; the truer its art , the more ... We all know that a sonata means something ; and where there is the faculty of talking with suitable vagueness ...
Page 308
His procedure is to describe allegorically and by means of an integument what the human spirit does and endures while temporarily placed in the human body .... The integu- ment is a type of exposition which wraps the apprehension of ...
His procedure is to describe allegorically and by means of an integument what the human spirit does and endures while temporarily placed in the human body .... The integu- ment is a type of exposition which wraps the apprehension of ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers