Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 200
But by introducing the water - babies earlier in the look , and by inserting a fairy , however well disguised , into the Yorkshire content , Kingsley has gone near to presenting the very kind of supernatural action he found impossible ...
But by introducing the water - babies earlier in the look , and by inserting a fairy , however well disguised , into the Yorkshire content , Kingsley has gone near to presenting the very kind of supernatural action he found impossible ...
Page 260
Look ! Look ! What do I remind you of ? '35 By that means he continually displaces our appetite for the ' other ' towards a hunger for the Wholly Other . A sense of division seems to underlie much of Lewis's work .
Look ! Look ! What do I remind you of ? '35 By that means he continually displaces our appetite for the ' other ' towards a hunger for the Wholly Other . A sense of division seems to underlie much of Lewis's work .
Page 301
If we look back at our account of modern Christian fantasy , it will be seen that the issue in such fantasy has been how to relate the old ' supernatural ' to a world of much greater change and complexity than has hitherto existed .
If we look back at our account of modern Christian fantasy , it will be seen that the issue in such fantasy has been how to relate the old ' supernatural ' to a world of much greater change and complexity than has hitherto existed .
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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Common terms and phrases
acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers