Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 133
he was later to write on mystical ones . Thus we have The Motion and Position of the Earth and the Planets ( 1719 ) , The Height of the Waters ( 1719 ) , Chemistry ( 1721 ) , Miscellaneous Observations ( 1721-2 ) , Philosophical and ...
he was later to write on mystical ones . Thus we have The Motion and Position of the Earth and the Planets ( 1719 ) , The Height of the Waters ( 1719 ) , Chemistry ( 1721 ) , Miscellaneous Observations ( 1721-2 ) , Philosophical and ...
Page 196
Here a piece of seemingly dead architecture is given life , as later the creatures in the stream are given personalities ; and this animation we may suppose does not express mere pathetic fallacy , but rather the moral ( d ) ...
Here a piece of seemingly dead architecture is given life , as later the creatures in the stream are given personalities ; and this animation we may suppose does not express mere pathetic fallacy , but rather the moral ( d ) ...
Page 224
In Descent into Hell Battle Hill near Hastings becomes the form of Christ's body ; in All Hallows ' Eve Lester feels herself crucified as she intercedes to save Betty Wallingford from the evil Clerk Simon , and later Betty herself re ...
In Descent into Hell Battle Hill near Hastings becomes the form of Christ's body ; in All Hallows ' Eve Lester feels herself crucified as she intercedes to save Betty Wallingford from the evil Clerk Simon , and later Betty herself re ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers