Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 35
The endpoint of the journey is a vision of God in which the imagination is lost – and yet found , in that only its operations over the whole journey of the poem have led us to Him.23 Further , while the journey of the imagination is ...
The endpoint of the journey is a vision of God in which the imagination is lost – and yet found , in that only its operations over the whole journey of the poem have led us to Him.23 Further , while the journey of the imagination is ...
Page 117
This may be owing to his Puritan rejection of all earthly things in their entirety , whereby here in order to read aright we have to set aside the ' physical ' journey altogether . When Charity at Palace Beautiful asks Christian whether ...
This may be owing to his Puritan rejection of all earthly things in their entirety , whereby here in order to read aright we have to set aside the ' physical ' journey altogether . When Charity at Palace Beautiful asks Christian whether ...
Page 122
For instance , because of the image of the journey , we naturally tend to think of the movement as one to greater and greater trials . However , Christian's contest with Apollyon , who is a form of the devil and thus the ultimate in ...
For instance , because of the image of the journey , we naturally tend to think of the movement as one to greater and greater trials . However , Christian's contest with Apollyon , who is a form of the devil and thus the ultimate in ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
17 other sections not shown
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers