Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 9
Our concern for much of this book will be with the treatment of the imagination in Christian fantasy . ... others who contrast the divine and human imaginations to the disfavour of the latter , others still who let their imagination ...
Our concern for much of this book will be with the treatment of the imagination in Christian fantasy . ... others who contrast the divine and human imaginations to the disfavour of the latter , others still who let their imagination ...
Page 63
If we take these two points first , that all the hideous creatures of the book are in part at least the creation of Spenser's imagination ; and , second , that the landscape of the book is that of the imagination itself , which can ...
If we take these two points first , that all the hideous creatures of the book are in part at least the creation of Spenser's imagination ; and , second , that the landscape of the book is that of the imagination itself , which can ...
Page 165
For MacDonald's ' answer ' to some of the issues raised by Blake was to put God into the imagination . ' God sits in that chamber of our being in which the candle of our consciousness goes out in darkness , and sends forth from thence ...
For MacDonald's ' answer ' to some of the issues raised by Blake was to put God into the imagination . ' God sits in that chamber of our being in which the candle of our consciousness goes out in darkness , and sends forth from thence ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers