Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 108
As already stated , this is no rehearsal of religious truths in stock or biblical imagery alone , such as could be found in Milton's predecessors : this is effectively a new universe in which such truths are to be re- created .
As already stated , this is no rehearsal of religious truths in stock or biblical imagery alone , such as could be found in Milton's predecessors : this is effectively a new universe in which such truths are to be re- created .
Page 112
It is thus evident that some pretty strange implications are present within the invented imagery of Paradise Lost . But what can we make of them ? Clearly , at the level of Milton's conscious intention , little ; at the level of any ...
It is thus evident that some pretty strange implications are present within the invented imagery of Paradise Lost . But what can we make of them ? Clearly , at the level of Milton's conscious intention , little ; at the level of any ...
Page 113
What we have in Paradise Lost , then , is a situation where Milton's imagination , in part let loose from traditional imagery and modes of presentation , unconsciously creates a pattern of imagery which delivers a message clean counter ...
What we have in Paradise Lost , then , is a situation where Milton's imagination , in part let loose from traditional imagery and modes of presentation , unconsciously creates a pattern of imagery which delivers a message clean counter ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers