Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 133
The architectural analogy for literary composition is common in the eighteenth century and also informs Swedenborg's notion of heaven as a house of many mansions . Thus we have chapters of a highly analytic character , each contributing ...
The architectural analogy for literary composition is common in the eighteenth century and also informs Swedenborg's notion of heaven as a house of many mansions . Thus we have chapters of a highly analytic character , each contributing ...
Page 135
He tells us that God is the Lord of heaven and of hell ; that all visible and physical things correspond to or reflect divine ideas ; that man will inhabit heaven or hell according to whether he puts divine love or self - love first ...
He tells us that God is the Lord of heaven and of hell ; that all visible and physical things correspond to or reflect divine ideas ; that man will inhabit heaven or hell according to whether he puts divine love or self - love first ...
Page 140
In Heaven and Hell we have an eighteenth - century built and ordered structure in both the book and the worlds it describes , combined with a ' Romantic ' organicism whereby heaven is seen to exist in the human form .
In Heaven and Hell we have an eighteenth - century built and ordered structure in both the book and the worlds it describes , combined with a ' Romantic ' organicism whereby heaven is seen to exist in the human form .
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers