Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 128
Further , the emphasis in Pilgrim's Progress , as we shall see , is on doing and action rather than contemplation : the narrative and the ethic behind it are against the stillness that could be argued to be required for the perception ...
Further , the emphasis in Pilgrim's Progress , as we shall see , is on doing and action rather than contemplation : the narrative and the ethic behind it are against the stillness that could be argued to be required for the perception ...
Page 212
Further , it could be said that there is sometimes almost as much emphasis on protection of the land as of its people in modern fantasy , as in Tolkien or Ursula Le Guin . A further aspect of twentieth - century fantasy is its sense of ...
Further , it could be said that there is sometimes almost as much emphasis on protection of the land as of its people in modern fantasy , as in Tolkien or Ursula Le Guin . A further aspect of twentieth - century fantasy is its sense of ...
Page 238
... you need to go further afield : like a man moving his house further and further out into the country as the new building estates catch him up . Thus in Grimm's Märchen , stories told by peasants in wooded country , you need only ...
... you need to go further afield : like a man moving his house further and further out into the country as the new building estates catch him up . Thus in Grimm's Märchen , stories told by peasants in wooded country , you need only ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers