Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 57
And , although there is a quest , a final objective in view , it is rarely mentioned , and we are not strongly aware of it . At a merely narrative level the final dragon with which Redcrosse does battle comes more or less unheralded ...
And , although there is a quest , a final objective in view , it is rarely mentioned , and we are not strongly aware of it . At a merely narrative level the final dragon with which Redcrosse does battle comes more or less unheralded ...
Page 58
To say that Duessa's final exposure reveals her for what she is is certainly true ; but she has also been , and in the world exists as , the other shapes with which she covers herself . She is as it were a composite of all her ...
To say that Duessa's final exposure reveals her for what she is is certainly true ; but she has also been , and in the world exists as , the other shapes with which she covers herself . She is as it were a composite of all her ...
Page 174
a collection of strange beasts ; and she and her pigeons arrive to save the day in the final battle . The spiritual is thus more pervasive in this story , and the symbolism seems more certainly ' holy ' or biblical , though no more ...
a collection of strange beasts ; and she and her pigeons arrive to save the day in the final battle . The spiritual is thus more pervasive in this story , and the symbolism seems more certainly ' holy ' or biblical , though no more ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
17 other sections not shown
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers