Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 57
This is even true of the labelled figures themselves . The figure of Despair may seem obvious enough , but it is not till we have seen the full articulation and subtlety of his temptation of Redcrosse to make away with himself that we ...
This is even true of the labelled figures themselves . The figure of Despair may seem obvious enough , but it is not till we have seen the full articulation and subtlety of his temptation of Redcrosse to make away with himself that we ...
Page 69
The Bible speaks of the Seven Deadly Sins , of the wiles of the devil , of sojourn in the wilderness and so forth ; but at no time is there so consistent an adherence to scriptural fact as in the last cantos , where the figures of Una's ...
The Bible speaks of the Seven Deadly Sins , of the wiles of the devil , of sojourn in the wilderness and so forth ; but at no time is there so consistent an adherence to scriptural fact as in the last cantos , where the figures of Una's ...
Page 196
Within Harthover House Tom is to have his first sight of Christ , and of himself ; and within the labyrinth of its chimneys , which might figure the unconscious mind , he loses himself and eventually emerges in the bedroom of little ...
Within Harthover House Tom is to have his first sight of Christ , and of himself ; and within the labyrinth of its chimneys , which might figure the unconscious mind , he loses himself and eventually emerges in the bedroom of little ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
17 other sections not shown
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers