Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 32
What we do feel in Purgatory is the difficulty of the ascent ( though this is a mountain that reverses nature , in that the lower reaches feel most tiring and it becomes progressively easier to climb , despite the uniform gradient ...
What we do feel in Purgatory is the difficulty of the ascent ( though this is a mountain that reverses nature , in that the lower reaches feel most tiring and it becomes progressively easier to climb , despite the uniform gradient ...
Page 126
... meaning to the Wicket - gate , more than that we feel Christian to have been so far accepted as to gain admission to the obstacle course ; the biblical reference to Matthew 7.13 , ' Enter ye in at the strait gate ' , adds no more .
... meaning to the Wicket - gate , more than that we feel Christian to have been so far accepted as to gain admission to the obstacle course ; the biblical reference to Matthew 7.13 , ' Enter ye in at the strait gate ' , adds no more .
Page 257
Why did one find it so hard to feel as one was told one ought to feel about God or about the sufferings of Christ ? I thought the chief reason was that one was told one ought to . An obligation to feel can freeze ...
Why did one find it so hard to feel as one was told one ought to feel about God or about the sufferings of Christ ? I thought the chief reason was that one was told one ought to . An obligation to feel can freeze ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
17 other sections not shown
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers