Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 7
Dante , yes ; but Milton and the fall of man ? or Marlowe and the pact with the devil ? To that we have to say that such works suppose , even while they do not dramatise it in specific terms , a Christian context for their actions .
Dante , yes ; but Milton and the fall of man ? or Marlowe and the pact with the devil ? To that we have to say that such works suppose , even while they do not dramatise it in specific terms , a Christian context for their actions .
Page 102
... whether invented or from apocryphal , mythological or classical epic sources , until narratives of the creation , the fall , the Passion of Christ or the apocalypse were substantially longer and fuller than the biblical originals.1 ...
... whether invented or from apocryphal , mythological or classical epic sources , until narratives of the creation , the fall , the Passion of Christ or the apocalypse were substantially longer and fuller than the biblical originals.1 ...
Page 285
Seen from a Christian perspective , the pattern is at the same time one of a move from fall to redemption in Christ : 36 this is imaged at the end as the rocket bearing humanity's last home ascends to the heavens like a phoenix from ...
Seen from a Christian perspective , the pattern is at the same time one of a move from fall to redemption in Christ : 36 this is imaged at the end as the rocket bearing humanity's last home ascends to the heavens like a phoenix from ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers