Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 139
To some extent it may be said that Swedenborg's treatment of the Bible fits in with his age , in which the supernatural aspects of Scripture tended to be downplayed for a more ' rational ' and conduct - oriented faith ; but Swedenborg's ...
To some extent it may be said that Swedenborg's treatment of the Bible fits in with his age , in which the supernatural aspects of Scripture tended to be downplayed for a more ' rational ' and conduct - oriented faith ; but Swedenborg's ...
Page 215
What he did was embrace doubt as an essential part of the living dialectic of his faith : agnosticism , even unbelief , was to him part of the balance that made up life . In this sense nothing that happened during his life - not the ...
What he did was embrace doubt as an essential part of the living dialectic of his faith : agnosticism , even unbelief , was to him part of the balance that made up life . In this sense nothing that happened during his life - not the ...
Page 301
In these and other novels Christianity is still present as an implicit comparator , but it is melting into a multinational sea of faith where no belief system remains . If we look back at our account of modern Christian fantasy ...
In these and other novels Christianity is still present as an implicit comparator , but it is melting into a multinational sea of faith where no belief system remains . If we look back at our account of modern Christian fantasy ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers