Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 36
For one thing they express the incapacity of language and imagination to capture the Heavens in solid images , as Dante ... Finally , the mode of the Paradiso expresses a sense of the utter transcendence of God , beyond all our ...
For one thing they express the incapacity of language and imagination to capture the Heavens in solid images , as Dante ... Finally , the mode of the Paradiso expresses a sense of the utter transcendence of God , beyond all our ...
Page 229
Lester's charity to Evelyn expresses itself once in a vague idea of giving her ' a drink , a cup of tea or a sherry or a glass of water – something of that material and liquid joy ' ( p . 164 ) . The Clerk knows nothing of the lake from ...
Lester's charity to Evelyn expresses itself once in a vague idea of giving her ' a drink , a cup of tea or a sherry or a glass of water – something of that material and liquid joy ' ( p . 164 ) . The Clerk knows nothing of the lake from ...
Page 253
and its permeability to the great lion Aslan , that too is an image of the desirable , however subject to mortality it may be : here as with Mars we feel the wonder of a created world in so far as it expresses the craftsmanship or ...
and its permeability to the great lion Aslan , that too is an image of the desirable , however subject to mortality it may be : here as with Mars we feel the wonder of a created world in so far as it expresses the craftsmanship or ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers