Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 100
The stress is on the experience of hinted bliss . The news comes from a far country , but the heart feels kinship with it as with nothing else . The news is sudden , like all news , as first described ; then we learn that it is ...
The stress is on the experience of hinted bliss . The news comes from a far country , but the heart feels kinship with it as with nothing else . The news is sudden , like all news , as first described ; then we learn that it is ...
Page 101
They debate issues , where the later poets more often relay experiences . The fantasy they use in their poems is a means to an end rather than the end ... But this experience , far from being the sort that could make the vision of ...
They debate issues , where the later poets more often relay experiences . The fantasy they use in their poems is a means to an end rather than the end ... But this experience , far from being the sort that could make the vision of ...
Page 217
So much is this the case that in his life and work both he seems to have been engaged on a kind of continuous mystical experience . Kingsley and MacDonald also had a sense of divine immanence , but for Kingsley this immanence was ...
So much is this the case that in his life and work both he seems to have been engaged on a kind of continuous mystical experience . Kingsley and MacDonald also had a sense of divine immanence , but for Kingsley this immanence was ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers