Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 68
Evil is strong enough for those who will let it have a hold on them ... Thus throughout we are reminded of the frailty and transience of the fantasies created by evil . By the time we get to Despair , a filthy old man surrounded by a ...
Evil is strong enough for those who will let it have a hold on them ... Thus throughout we are reminded of the frailty and transience of the fantasies created by evil . By the time we get to Despair , a filthy old man surrounded by a ...
Page 69
The Christian miracles that occur in the story are often unemphasised or seemingly engulfed by the presence and attention given to the evil . No more than two remarks , for instance , are made about the power of Redcrosse's emblem ...
The Christian miracles that occur in the story are often unemphasised or seemingly engulfed by the presence and attention given to the evil . No more than two remarks , for instance , are made about the power of Redcrosse's emblem ...
Page 70
The reverse is the case with evil : out of all its efforts , all its mighty assaults comes in the end nothingness . But there is a further point behind some of those relatively brief overt appearances of grace earlier in the narrative ...
The reverse is the case with evil : out of all its efforts , all its mighty assaults comes in the end nothingness . But there is a further point behind some of those relatively brief overt appearances of grace earlier in the narrative ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers