Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 44
But such severance of earth from heaven comes not just from him but from the pearl also . As Dante did in the Paradiso , but with even more rigour , the ways of heaven are separated from those of earth . The dreamer cannot understand ...
But such severance of earth from heaven comes not just from him but from the pearl also . As Dante did in the Paradiso , but with even more rigour , the ways of heaven are separated from those of earth . The dreamer cannot understand ...
Page 157
One can see the result in Victorian accounts of heaven , where heaven's ' otherness ' is lost for a conception of it as continuing and refining human joys on earth - pastoral , sexual , familial ; heaven becomes a mode of utopia rather ...
One can see the result in Victorian accounts of heaven , where heaven's ' otherness ' is lost for a conception of it as continuing and refining human joys on earth - pastoral , sexual , familial ; heaven becomes a mode of utopia rather ...
Page 297
At the time of the novel , 200 years beyond that of Valis , God has decided to return to Earth as a child , and seeds Himself in an earthwoman living on a planet far from Earth . He then enables her to return to Earth , which is now ...
At the time of the novel , 200 years beyond that of Valis , God has decided to return to Earth as a child , and seeds Himself in an earthwoman living on a planet far from Earth . He then enables her to return to Earth , which is now ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
17 other sections not shown
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers