Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 159
But now , at a time when there is an increasing feeling that the world has no connection at all with a Christian God or a heaven , modern Christian fantasy tries to put divine presence into the universe . This modern fantasy is much ...
But now , at a time when there is an increasing feeling that the world has no connection at all with a Christian God or a heaven , modern Christian fantasy tries to put divine presence into the universe . This modern fantasy is much ...
Page 297
This is in part the point ; for the book is largely concerned with searching reality to find its divine nature and source . It confronts life in all its obstinate corruption , pain and sheer banality , to find that which transcends them ...
This is in part the point ; for the book is largely concerned with searching reality to find its divine nature and source . It confronts life in all its obstinate corruption , pain and sheer banality , to find that which transcends them ...
Page 308
322–3 : ' there is no earlier example amongst Christian mystics for his [ Dante's ] daring juxtaposition of divine theme and pagan images ' . On his debt to Virgil for his ' strong story - line ' and his ' grandiose and glowing images ...
322–3 : ' there is no earlier example amongst Christian mystics for his [ Dante's ] daring juxtaposition of divine theme and pagan images ' . On his debt to Virgil for his ' strong story - line ' and his ' grandiose and glowing images ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
17 other sections not shown
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers