Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 1
There are few apart from funda- mentalists now who would take the Bible as the direct word of God ; few who would maintain with the Victorian John William Burgon , Fellow of Oriel College Oxford and vicar of the University church after ...
There are few apart from funda- mentalists now who would take the Bible as the direct word of God ; few who would maintain with the Victorian John William Burgon , Fellow of Oriel College Oxford and vicar of the University church after ...
Page 26
In order to direct us to this light from Heaven , Dante has so organised the images of his poem that we will not be seduced by them , but will constantly see their spiritual significance or the larger pattern ...
In order to direct us to this light from Heaven , Dante has so organised the images of his poem that we will not be seduced by them , but will constantly see their spiritual significance or the larger pattern ...
Page 129
Throughout , the direct naming of the allegorical figures , as Pliable , Faithful , Talkative , By - ends or Ignorance ( compare the more oblique Duessa , Acrasia , Britomart or Busirane in Spenser ) serves to herald behaviour , and the ...
Throughout , the direct naming of the allegorical figures , as Pliable , Faithful , Talkative , By - ends or Ignorance ( compare the more oblique Duessa , Acrasia , Britomart or Busirane in Spenser ) serves to herald behaviour , and the ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
17 other sections not shown
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Common terms and phrases
acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers