Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 148
Thus Blake sets about uprooting all categories , moral and spiritual , by turning God into devil and hell to heaven ... He tells us that , though Milton describes the devil being thrown from heaven , the devil's view of it is ' that the ...
Thus Blake sets about uprooting all categories , moral and spiritual , by turning God into devil and hell to heaven ... He tells us that , though Milton describes the devil being thrown from heaven , the devil's view of it is ' that the ...
Page 283
Since this harmony is achieved without any belief in God , since this is an Eden without a divine maker , Father Ramon Ruiz - Sanchez , the priest - commissioner , is forced to conclude that Lithia is a construct of the devil .
Since this harmony is achieved without any belief in God , since this is an Eden without a divine maker , Father Ramon Ruiz - Sanchez , the priest - commissioner , is forced to conclude that Lithia is a construct of the devil .
Page 288
These aliens , when they eventually reveal themselves , turn out to have the aspect of devils , giant forms with wings and ... Karellen , the leader of these ' Overlords ' , as they are called , explains that man's image of the devil ...
These aliens , when they eventually reveal themselves , turn out to have the aspect of devils , giant forms with wings and ... Karellen , the leader of these ' Overlords ' , as they are called , explains that man's image of the devil ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers