Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 120
the Celestial City because his hand shakes as he holds the perspective glass ; by the time he and Hopeful reach the land of Beulah , this side of the River , they are almost faint with desire . Throughout the story we are acutely aware ...
the Celestial City because his hand shakes as he holds the perspective glass ; by the time he and Hopeful reach the land of Beulah , this side of the River , they are almost faint with desire . Throughout the story we are acutely aware ...
Page 177
If MacDonald thus creates a sense of God , Christ and heaven by the manipulation of what Ernst Curtius called an ' inexpressibility topos ' , 31 we may add to that his Romantic use of the motif of desire or spiritual yearning in all his ...
If MacDonald thus creates a sense of God , Christ and heaven by the manipulation of what Ernst Curtius called an ' inexpressibility topos ' , 31 we may add to that his Romantic use of the motif of desire or spiritual yearning in all his ...
Page 240
This sense of otherness , and the spiritual desire or Sehnsucht it awakens , is one of the central threads of Lewis's experience as a Christian . It was the experience of that otherness in the form of ' holiness ' in reading MacDonald's ...
This sense of otherness , and the spiritual desire or Sehnsucht it awakens , is one of the central threads of Lewis's experience as a Christian . It was the experience of that otherness in the form of ' holiness ' in reading MacDonald's ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
17 other sections not shown
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers