Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 111
Satan's serpentine shape is described as being lovely and alluring ( 11. 503–5 ) ; he approaches Eve , we are told , with ' tract oblique ' , like a ship entering the mouth of a river ( 11. 513-16 ) ; he ' Curled many a wanton wreath in ...
Satan's serpentine shape is described as being lovely and alluring ( 11. 503–5 ) ; he approaches Eve , we are told , with ' tract oblique ' , like a ship entering the mouth of a river ( 11. 513-16 ) ; he ' Curled many a wanton wreath in ...
Page 150
This very potential for loss of energy seems to be described within the poem , in the account of the manner of printing books in hell for the transmission of knowledge : In the first chamber was a Dragon - Man , clearing away the ...
This very potential for loss of energy seems to be described within the poem , in the account of the manner of printing books in hell for the transmission of knowledge : In the first chamber was a Dragon - Man , clearing away the ...
Page 344
... and to the French Queste , 280 ; voulu and unlived quality of Christianity in , 280 ; compared to Kingsley , MacDonald , Williams and Lewis , 280 Christian fantasy , described and defined , 1-11 ; early development of , 12-13 , 21-2 ...
... and to the French Queste , 280 ; voulu and unlived quality of Christianity in , 280 ; compared to Kingsley , MacDonald , Williams and Lewis , 280 Christian fantasy , described and defined , 1-11 ; early development of , 12-13 , 21-2 ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers