Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 22
We may in this connection speak of him as having invented Purgatory , for instance : no one before had pictured it as a huge and many - tiered mountain in the midst of a vast ocean in the southern hemisphere ; 3 and in its creation ...
We may in this connection speak of him as having invented Purgatory , for instance : no one before had pictured it as a huge and many - tiered mountain in the midst of a vast ocean in the southern hemisphere ; 3 and in its creation ...
Page 272
It is a gulf between him and his creation , and one that gives him pain , both because it is hard for his creatures and because he is cut off from it . He tells Grunter of the eighth day of creation , when he gave death to the people he ...
It is a gulf between him and his creation , and one that gives him pain , both because it is hard for his creatures and because he is cut off from it . He tells Grunter of the eighth day of creation , when he gave death to the people he ...
Page 307
18 , remarks that the subject till Dante ' had been given only the simplest and crudest of pious representations in the Christian west ' . Cosmo , Handbook , p . 145 , goes so far as to claim , The Comedy is assuredly a creation of such ...
18 , remarks that the subject till Dante ' had been given only the simplest and crudest of pious representations in the Christian west ' . Cosmo , Handbook , p . 145 , goes so far as to claim , The Comedy is assuredly a creation of such ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers