Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 51
Dante of course puts us in the worlds of the afterlife , as does Pearl : both invite mortal men to direct their behaviour with regard to what will happen to them after death . That regard is basic to all Christian behaviour , but with ...
Dante of course puts us in the worlds of the afterlife , as does Pearl : both invite mortal men to direct their behaviour with regard to what will happen to them after death . That regard is basic to all Christian behaviour , but with ...
Page 95
And that he remains ignorant is sufficiently underlined by his concluding , ' As if thou'hadst seal'd my pardon , with thy blood ' , which is of course precisely what Christ has done for him . But beyond this it is possible to see the ...
And that he remains ignorant is sufficiently underlined by his concluding , ' As if thou'hadst seal'd my pardon , with thy blood ' , which is of course precisely what Christ has done for him . But beyond this it is possible to see the ...
Page 263
Tolkien , of course is not the only ' Christian fantasist ' to write obliquely : Coleridge ( from whom he drew many of his ideas on the imagination and on creation ) does it in ' The Rime of the Ancient Mariner ' ( 1798 ) .
Tolkien , of course is not the only ' Christian fantasist ' to write obliquely : Coleridge ( from whom he drew many of his ideas on the imagination and on creation ) does it in ' The Rime of the Ancient Mariner ' ( 1798 ) .
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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Common terms and phrases
acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers