Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 59
For , divided from her for the next eight cantos , he is continually overcome . After the defeat of Error , the path leads Una and Redcrosse , as it did not before , out of the wood . We may therefore call this illusion an illusion of ...
For , divided from her for the next eight cantos , he is continually overcome . After the defeat of Error , the path leads Una and Redcrosse , as it did not before , out of the wood . We may therefore call this illusion an illusion of ...
Page 210
By contrast Williams , Lewis and Tolkien give us structured universes in their fantasy , whether the ' diagram of glory ' that Williams continually celebrates , or the highly wrought cosmic plan in Lewis , in which ' all is pattern ' ...
By contrast Williams , Lewis and Tolkien give us structured universes in their fantasy , whether the ' diagram of glory ' that Williams continually celebrates , or the highly wrought cosmic plan in Lewis , in which ' all is pattern ' ...
Page 260
'35 By that means he continually displaces our appetite for the ' other ' towards a hunger for the Wholly Other . A sense of division seems to underlie much of Lewis's work . The Earth , ' a jungle of filth and imbecility ' , is cut off ...
'35 By that means he continually displaces our appetite for the ' other ' towards a hunger for the Wholly Other . A sense of division seems to underlie much of Lewis's work . The Earth , ' a jungle of filth and imbecility ' , is cut off ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers