Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 61
There may be some truth in that ; but we have also to remember that what Spenser is trying to do in The Faerie Queene , at least so far as his explicatory letter to Raleigh is concerned , is ' to fashion a gentleman or noble person in ...
There may be some truth in that ; but we have also to remember that what Spenser is trying to do in The Faerie Queene , at least so far as his explicatory letter to Raleigh is concerned , is ' to fashion a gentleman or noble person in ...
Page 253
With these images , the experience of a fantastic world by Lewis is one of awakened desire and loss . Lewis is not simply concerned with the portrayal of otherness or the desirable for their own sakes . He is determined that his readers ...
With these images , the experience of a fantastic world by Lewis is one of awakened desire and loss . Lewis is not simply concerned with the portrayal of otherness or the desirable for their own sakes . He is determined that his readers ...
Page 353
has moved away from presentation of Christian world- view , 286 ; more concerned with finding out than with moral teaching , 286 ; not concerned with humble or Christ - like figures , 286 ; Christian patterns commandeered for secular ...
has moved away from presentation of Christian world- view , 286 ; more concerned with finding out than with moral teaching , 286 ; not concerned with humble or Christ - like figures , 286 ; Christian patterns commandeered for secular ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers