Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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But there were obvious differences in the character of modern Christian fantasy , and I began to see that a larger story could be told , involving not only analysis of the major works , but also an account of their changing character ...
But there were obvious differences in the character of modern Christian fantasy , and I began to see that a larger story could be told , involving not only analysis of the major works , but also an account of their changing character ...
Page 218
In each , the supernatural is gradually introduced and its significance increased , steadily eroding the characters ' assumptions about the world with ever - deeper revelations . Most of the stories involve an attempt by evil people to ...
In each , the supernatural is gradually introduced and its significance increased , steadily eroding the characters ' assumptions about the world with ever - deeper revelations . Most of the stories involve an attempt by evil people to ...
Page 344
... 301 ; reasons for changed character of , 156–7 ; no longer written by dominant literary figures , 158 ; context for writing it narrows , 158 ; celebrates this world and divine immanence , 158–9 ; contemplative in character , 159-60 ...
... 301 ; reasons for changed character of , 156–7 ; no longer written by dominant literary figures , 158 ; context for writing it narrows , 158 ; celebrates this world and divine immanence , 158–9 ; contemplative in character , 159-60 ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers