Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 156
12 Modern Christian Fantasy While it may fairly be supposed that God did not as Nietzsche claimed , die in the nineteenth century , it must be admitted that much of the ' mythology ' of Christianity , the supernatural stories recounted ...
12 Modern Christian Fantasy While it may fairly be supposed that God did not as Nietzsche claimed , die in the nineteenth century , it must be admitted that much of the ' mythology ' of Christianity , the supernatural stories recounted ...
Page 157
the nineteenth century had less of a firm ' mythological ' and super- natural basis than it had had at the outset . ... but also of a general shift over the centuries , through the Renaissance via the Enlightenment to Romanticism ...
the nineteenth century had less of a firm ' mythological ' and super- natural basis than it had had at the outset . ... but also of a general shift over the centuries , through the Renaissance via the Enlightenment to Romanticism ...
Page 326
See also Hans W. Frei , The Eclipse of Biblical Narrative : A Study in Eighteenth and Nineteenth Century Hermeneutics ( New Haven , Conn . , and London : Yale University Press , 1974 ) , which particularly emphasises the sources in late ...
See also Hans W. Frei , The Eclipse of Biblical Narrative : A Study in Eighteenth and Nineteenth Century Hermeneutics ( New Haven , Conn . , and London : Yale University Press , 1974 ) , which particularly emphasises the sources in late ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers