Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 79
At first he thinks of Mephostophilis as some sort of a genie he has called out of a bottle , and does not believe the devil when he tells him that it was not his supposed necromantic powers that called him up Marlowe : ' Dr Faustus ...
At first he thinks of Mephostophilis as some sort of a genie he has called out of a bottle , and does not believe the devil when he tells him that it was not his supposed necromantic powers that called him up Marlowe : ' Dr Faustus ...
Page 277
Each of the stories portrays children battling against an ultimate evil , called ' It ' or ' Echthroi ' , which threatens variously their father , the world and the universe . In each case they are helped by a form of angel : in the ...
Each of the stories portrays children battling against an ultimate evil , called ' It ' or ' Echthroi ' , which threatens variously their father , the world and the universe . In each case they are helped by a form of angel : in the ...
Page 300
Roger Zelazny in ' A Rose for Ecclesiastes ' ( 1967 ) portrays the attempt of an agnostic called Gallinger to persuade the Martians out of a fatalistic self - abandonment to the ways of their god : he fails , but in so doing confirms ...
Roger Zelazny in ' A Rose for Ecclesiastes ' ( 1967 ) portrays the attempt of an agnostic called Gallinger to persuade the Martians out of a fatalistic self - abandonment to the ways of their god : he fails , but in so doing confirms ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers