Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 79
It is here that we encounter one of the organising principles of the play : the spiritual law of action and reaction by which , the nearer to his end Faustus comes , the more he comes to believe in the reality of a God whom his refusals ...
It is here that we encounter one of the organising principles of the play : the spiritual law of action and reaction by which , the nearer to his end Faustus comes , the more he comes to believe in the reality of a God whom his refusals ...
Page 135
In a way he is a philosopher , seeking to put over a world of thought which embodies the supernatural world in which he would have us believe ; but of course we are asked to accept that such intellectual and spiritual worlds are not his ...
In a way he is a philosopher , seeking to put over a world of thought which embodies the supernatural world in which he would have us believe ; but of course we are asked to accept that such intellectual and spiritual worlds are not his ...
Page 241
In the same way , though I do not believe ( I wish I did ) that my desire for Paradise proves that I shall enjoy it , I think it a pretty good indication that such a thing exists and that some men will . A man may love a woman and not ...
In the same way , though I do not believe ( I wish I did ) that my desire for Paradise proves that I shall enjoy it , I think it a pretty good indication that such a thing exists and that some men will . A man may love a woman and not ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers