Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 121
Besides having a distinct beginning and end , the journey has a well - defined middle . The number of features and figures en- countered is limited , and we have a clear picture of them and of the connections from one to the other .
Besides having a distinct beginning and end , the journey has a well - defined middle . The number of features and figures en- countered is limited , and we have a clear picture of them and of the connections from one to the other .
Page 141
Christian fantasy from now on is far more full of states of holy joy , beauty and innocence than of pain , loss and damnation . And it is fair to say that in some sense Swedenborg stands at the beginning of this tradition .
Christian fantasy from now on is far more full of states of holy joy , beauty and innocence than of pain , loss and damnation . And it is fair to say that in some sense Swedenborg stands at the beginning of this tradition .
Page 233
In The Place of the Lion there is always the sense that a system is there , and that the gap between the beginning and the end of the novel measures the spiritual and intellectual distance to be covered by Anthony Durrant in compre- ...
In The Place of the Lion there is always the sense that a system is there , and that the gap between the beginning and the end of the novel measures the spiritual and intellectual distance to be covered by Anthony Durrant in compre- ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
17 other sections not shown
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers