Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 132
For thirteen years before he wrote down his Heaven and Hell ( 1758 ) , Swedenborg soberly tells us , he was in direct communication with angels , who were pleased to give him a full account of every aspect of the heavenly and hellish ...
For thirteen years before he wrote down his Heaven and Hell ( 1758 ) , Swedenborg soberly tells us , he was in direct communication with angels , who were pleased to give him a full account of every aspect of the heavenly and hellish ...
Page 139
To some extent it may be said that Swedenborg's treatment of the Bible fits in with his age , in which the supernatural aspects of Scripture tended to be downplayed for a more ' rational ' and conduct - oriented faith ; but Swedenborg's ...
To some extent it may be said that Swedenborg's treatment of the Bible fits in with his age , in which the supernatural aspects of Scripture tended to be downplayed for a more ' rational ' and conduct - oriented faith ; but Swedenborg's ...
Page 324
Sigstedt , The Swedenborg Epic , pp . 202-3 , is sure that Swedenborg had read Paradise Lost . This idea is directly parallel to the mechanical principles governing the universe as portrayed in Swedenborg's Principia in vol .
Sigstedt , The Swedenborg Epic , pp . 202-3 , is sure that Swedenborg had read Paradise Lost . This idea is directly parallel to the mechanical principles governing the universe as portrayed in Swedenborg's Principia in vol .
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers