Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 42
4 The Middle English Pearl Strictly speaking Pearl ( 1375–95 ) is not a narrative but a visionary and consolatory episode , 1 in which a man , lamenting the loss of a precious pearl - in part perhaps his daughter - is granted a vision ...
4 The Middle English Pearl Strictly speaking Pearl ( 1375–95 ) is not a narrative but a visionary and consolatory episode , 1 in which a man , lamenting the loss of a precious pearl - in part perhaps his daughter - is granted a vision ...
Page 48
The difference comes partly from the fact that Pearl's very subject is a precious stone or pearl ; and that part of its theme concerns the nature of true preciousness . From the outset the dreamer speaks of his loss in terms of a ...
The difference comes partly from the fact that Pearl's very subject is a precious stone or pearl ; and that part of its theme concerns the nature of true preciousness . From the outset the dreamer speaks of his loss in terms of a ...
Page 310
CHAPTER 4 THE MIDDLE ENGLISH PEARL 1 . 2 . 3 . 4 . 5 . 6 . 7 . 8 . On the backgrounds of the poem as ' Vision of the Other World ' and ' Consolatio ' , respectively , see Thomas C. Niemann , ' Pearl and the Christian Other World ' ...
CHAPTER 4 THE MIDDLE ENGLISH PEARL 1 . 2 . 3 . 4 . 5 . 6 . 7 . 8 . On the backgrounds of the poem as ' Vision of the Other World ' and ' Consolatio ' , respectively , see Thomas C. Niemann , ' Pearl and the Christian Other World ' ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers