Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 67
At another level , as seen , Redcrosse had to fall into sin and lose himself in order to be made holy enough to face the dragon : he had to be broken to be made whole . Sin is not wished for by God ; but fallen man must know his ...
At another level , as seen , Redcrosse had to fall into sin and lose himself in order to be made holy enough to face the dragon : he had to be broken to be made whole . Sin is not wished for by God ; but fallen man must know his ...
Page 218
Most of the stories involve an attempt by evil people to gain supernatural power , whether through control over some magical object such as the Holy Grail or a wonder - working stone made of the ' First Matter of Creation ' , or else ...
Most of the stories involve an attempt by evil people to gain supernatural power , whether through control over some magical object such as the Holy Grail or a wonder - working stone made of the ' First Matter of Creation ' , or else ...
Page 316
It is frequently argued that the Holy Sonnets should be seen as a sequence of spiritual development or conversion , so that each one till the ' end ' produces only a varyingly partial vision : in this sense it would be wrong to take the ...
It is frequently argued that the Holy Sonnets should be seen as a sequence of spiritual development or conversion , so that each one till the ' end ' produces only a varyingly partial vision : in this sense it would be wrong to take the ...
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers