Christian Fantasy: From 1200 to the PresentThis is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein. |
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Page 116
At the literal level in The Pilgrim's Progress Christian goes on an actual journey , away from one city and through a dangerous landscape towards another . At the allegorical level he may not physically have left the City of Destruction ...
At the literal level in The Pilgrim's Progress Christian goes on an actual journey , away from one city and through a dangerous landscape towards another . At the allegorical level he may not physically have left the City of Destruction ...
Page 138
Any one who reads these words understands them merely according to the sense of the letter , according to which the visible heaven and earth are to perish , a new heaven is to exist , and the holy city Jerusalem with all its dimensions ...
Any one who reads these words understands them merely according to the sense of the letter , according to which the visible heaven and earth are to perish , a new heaven is to exist , and the holy city Jerusalem with all its dimensions ...
Page 333
Williams , ' The Cross ' , in The Image of the City , p . 138. See also Robert C. Holder , ' Art and the Artist in the Fiction of Charles Williams ' , Renascence , 27 ( Winter , 1975 ) 81-7 . Williams , All Hallows ' Eve , p . 232.
Williams , ' The Cross ' , in The Image of the City , p . 138. See also Robert C. Holder , ' Art and the Artist in the Fiction of Charles Williams ' , Renascence , 27 ( Winter , 1975 ) 81-7 . Williams , All Hallows ' Eve , p . 232.
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Contents
Introduction | 1 |
The French Queste del Saint Graal 122 | 12 |
The Commedia | 21 |
Copyright | |
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acts allegory angels appears become beginning believe body called century certainly character Charles Christ Christian fantasy Church City comes concerned continually course created creation Dante death described desire devil direct divine earth evil existence experience expresses fact fairy faith fall Faustus feel fiction figure final further give given God's heaven Hell Holy human idea imagery imagination journey Kingsley Land later less Lewis literature live London look lost MacDonald means mind move narrative nature never novel once Paradise pattern Pearl perhaps physical picture Pilgrim's play poem portrays present Progress reality Redcrosse relation seems seen sense significance soul spiritual story suggests supernatural Swedenborg tells things thought true truth turn University Press vision Water-Babies whole writers