Then by force to stop pursuit, Still from him the cause concealing. Cosm. Some device! Then I'm your man. One suggests itself already. See, this note of introduction From a friend, shall serve our purpose. [DON MANUEL retires to the background. DON LUIS and his servant RODRIGO enter. D. Luis. This veil'd fair I must discover, Were it only that she strives With such effort to escape me. Rod. Follow, and you'll soon detect her. Cosm. (coming forward and addressing DoN LUIS.) Señor, though of this intrusion I'm ashamed, perhaps your highness Would be kind enough to read me How this letter is directed. D. Luis. Hence: - I have not leisure now. I have leisure in abundance, Quite enough to spare for both. D. Luis. Hence, my patience is exhausted. Stand aside, I say! D. Man. (Aside.) No longer Can I wait, let courage finish D. Luis. I answer neither Accusations nor enquiries. [Drives him to one side. D. Man. Señor, if my honour needed Explanation for an insult, D. Luis. Who shall say I could not better Teach that lesson ? D. Man. Silent, that the sword may speak. Let the tongue be [They draw and fight. That men should ever D. Luis. You say well. Long for fighting! Rod. (To Cosm.) Draw your sword too! Cos. Mine's a maiden blade, and may not Venture from its virgin scabbard! Till drawn forth by marriage license. [DON JUAN appears at the door of one of the houses in the street. DONA BEATRICE endeavouring to detain him. D. Juan. Beatrice, unhand me! Go not. Times I wish the hurt were mine! Cos. Bless us, what a courteous quarrel! D. Juan. Come, and let your wound be look'd to. You, Don Luis, must remain. And to Dona Beatrice, Ere she mount her coach, excuse me For this seeming show of rudeness. Come then, señor, to my mansion- Where your wound D. Man. My wound is nothing. D. Juan. Nay, come quickly. How ill-omen'd That Madrid with bloody welcome [Exit with DON JUAN into the house. D. Luis. (aside.) How provoking That my efforts to discover This veiled fair are all in vain! Cos. (aside.) Oh! how richly does my master Merit what he got, to teach him Not to play Don Quixote here. [Exit, following his Master. DONA BEATRICE and CLARA re-enter from the house. D. Luis. Lady, now the storm is over, Let the roses of your beauty Bloom again, which lay so lately Chill'd and wither'd by the blighting Of a swoon. Lady, It is not Don Juan: were it He that had been hurt, I should not Stand so patiently beside you. Calm these terrors: 'twere unjust, Since my brother is uninjured, That your breast with anxious fears Mine with grief-should thus be haunted: Grief, for such it is, to see you So distress'd, so overmaster'd, Which so idly cloud your mind. Beat. Well you know, Señor Don Luis, That I value your attentions [Exit. Don Luis, after Beatrice retires, expresses to his confidant Rodrigo, his surprise at his brother's thoughtlessness in introducing Don Manuel to his house. Having Here a sister, youthful, handsome, Lately widow'd: as you know, As her near relation, enters. Rod. Yes, I recollect; her husband, It might be with ease re-open'd) D. Luis. This, then, is my sole assurance! And precisely this it is Which the slightest touch may shiver. The reader, who has the least acquaintance with the machinery of the Spanish stage, will readily anticipate that this cabinet, concealing a door of communication between the apartments of Don Manuel and those assigned to Angela, is destined to make a prominent figure in the intrigue of the play. The next scene takes place in the apartments of Dona Angela, who enters hurriedly along with Isabel, throwing off the dress she had worn in the street, and resuming her mourning attire. She inveighs against the [Exeunt. seclusion to which she is confined; the tedium of which had led her on this occasion to venture out in disguise, and to mingle in the crowd which was witnessing the festivities in the Palace Square, when she had been suddenly alarmed by the appearance of her brother, Don Luis; had fled from him, and had only been enabled to reach her home through the gallant interference of Don Manuel. Scarcely has she completed her change of dress, when her brother Don Luis himself enters, and, unconscious that Angela had been the object of his pursuit, relates to her his adventure, and communicates the unexpected intelligence that the cavalier whose interference had arrested his pursuit, is her brother's expected guest, Don Manuel, and that he is now an inmate in their mansion. Aware, through the information of Isabel, of the existence of the door entering into his apartment, and concealed by the cabinet, and half conscious of a growing attachment towards her defender, she resolves to pay a visit to his apartment during his absence, and to leave behind some token of her gratitude, without revealing how or from what quarter it comes. We are next introduced to the chamber of Don Manuel. The principal door is in the background. On the right the secret door, con. cealed by a large press with glass doors, in which various pieces of glassware are placed on shelves. The cabinet is so contrived as to revolve on its hinges when the door is opened. On the left of the room a recess with curtains. DON MANUEL and DON JUAN enter. A Servant follows with a light. D. Juan. Beseech you, sir! lie down. D. Man. So slight my hurt, I own I do already fear, Don Juan, that I play the weakling here, Suffering your care to go so far. D. Juan. Thanks to the lucky fortune of my star! Wretched I should remain Were this, my pleasure, purchased with the pain Within my house by sickness, and to find A brother's hand (although Unwitting whom it wounded) dealt the blow. D. Man. He is a noble knight I envy him his prowess in the fight, Admire his courtesy, And ever shall his friend and servant be. [DON LUIS enters, followed by a servant with a covered basket, containing a sword. D. Luis. That I am yours no less, Let the remorse which I endure express I offer you my life; And that the hapless instrument of strife No more with me. nain, Which cannot please me more, nor serve again, (Even as the servant's driven Forth, who offence has to nis master given,) I rid me of it so. [Presenting the sword to DON MANUEL. This, señor, is the blade that dealt the blow, Here at your feet extended, Imploring pardon where it hath offended; Let your just wrath with it, On me and on itself, take vengeance fit. D. Man. In all you conquer me! Brave and discreet: mine let the weapon be, Shall teach me to be brave. I feel with pride For thought of danger never need alarm This scene of mutual compliments is interrupted by the entrance of Cosme, bearing his master's trunks and portmanteaus, and grumbling at the disasters he had encountered in bringing them from the Posada, where |